143 bars of 4/4 at 140 BPM, about 4:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 96, 98-100 and 102, and 6 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 5 times: bars 44, 45, 53, 103 and 104.
143 bars across 13 sections: 108 keep time, 5 are fills and 14 are stops. The longest unbroken stretch of time is bars 105-125.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
143 bars, about 4:05 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 44, 45, 53, 103 and 104.