117 bars of 4/4 at 111 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 18, 20 and 22-25 -- 5.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 29 times: bars 4, 11, 14, 15, 16, 29 and 23 more.
12 more fills are written out on the fills page.
119 bars across 17 sections: 44 keep time, 29 are fills, 21 are stops and 9 are silent. The longest unbroken stretch of time is bars 22-25.
111 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
117 bars, about 4:18 at the written tempo. The course breaks it into 61 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 4, 11, 14, 15, 16, 29 and 23 more.