265 bars of 3/4 -- not four -- at 120 BPM, 6:42 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 79 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 5 times: bars 1, 96, 97, 131 and 214.
265 bars across 15 sections: 167 keep time, 8 are fills, 70 are stops and 8 are silent. The longest unbroken stretch of time is bars 30-55.
120 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
265 bars, about 6:42 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 1, 96, 97, 131 and 214.