143 bars of 4/4 at 128 BPM, about 4:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 113-143 -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 4, 42, 66, 74, 86, 103 and 3 more.
1 more fill is written out on the fills page.
143 bars across 11 sections: 107 keep time, 9 are fills, 1 is a stop and 16 are silent. The longest unbroken stretch of time is bars 113-143.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
143 bars, about 4:28 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 4, 42, 66, 74, 86, 103 and 3 more.