199 bars of 3/4 -- not four -- at 140 BPM, 4:15 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 54, 56-58 and 60-62, and 31 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 17 times: bars 29, 33, 49, 53, 72, 73 and 11 more.
3 more fills are written out on the fills page.
199 bars across 10 sections: 98 keep time, 17 are fills, 39 are stops and 39 are silent. The longest unbroken stretch of time is bars 5-25.
140 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
26 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
199 bars, about 4:15 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 29, 33, 49, 53, 72, 73 and 11 more.