124 bars of 4/4 at 135 BPM, about 3:40 of playing, on hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 26 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
124 bars across 11 sections: 104 keep time and 14 are silent. The longest unbroken stretch of time is bars 94-124.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
124 bars, about 3:40 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 24 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.