94 bars of 4/4 at 144 BPM, about 2:37 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7-12, 14-16 and 18, and 4 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 5, 13, 17, 33, 41, 76 and 5 more.
1 more fill is written out on the fills page.
94 bars across 11 sections: 69 keep time, 13 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 50-58.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
94 bars, about 2:37 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 5, 13, 17, 33, 41, 76 and 5 more.