129 bars of 4/4 at 138 BPM, about 4:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-21 and 23-24 -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 66 times: bars 22, 26, 28, 29, 30, 31 and 60 more.
4 more fills are written out on the fills page.
129 bars across 8 sections: 30 keep time, 66 are fills, 3 are stops and 24 are silent. The longest unbroken stretch of time is bars 11-21.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
129 bars, about 4:37 at the written tempo. The course breaks it into 27 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 66 times: bars 22, 26, 28, 29, 30, 31 and 60 more.