149 bars of 4/4 at 118 BPM, about 5:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-36, 38-46 and 48-52, and 4 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 23 times: bars 1, 47, 62, 68, 69, 70 and 17 more.
5 more fills are written out on the fills page.
149 bars across 11 sections: 107 keep time, 23 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 12-30.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
149 bars, about 5:02 at the written tempo. The course breaks it into 34 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 1, 47, 62, 68, 69, 70 and 17 more.