350 bars of 4/4 at 120 BPM, about 11:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 47-50, 56-61 and 64-70, and 7 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 37 times: bars 44, 45, 55, 62, 71, 79 and 31 more.
21 more fills are written out on the fills page.
350 bars across 32 sections: 195 keep time, 37 are fills, 39 are stops and 48 are silent. The longest unbroken stretch of time is bars 140-154.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 95 out of 100; the rest of the number is everything around it.
350 bars, about 11:36 at the written tempo. The course breaks it into 113 exercises over 33 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 37 times: bars 44, 45, 55, 62, 71, 79 and 31 more.