109 bars of 4/4 at 120 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 59, 63 and 87, and 2 more places -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 47 times: bars 1, 3, 4, 5, 6, 7 and 41 more.
15 more fills are written out on the fills page.
109 bars across 10 sections: 49 keep time, 47 are fills and 1 is a stop. The longest unbroken stretch of time is bars 51-56.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
109 bars, about 3:37 at the written tempo. The course breaks it into 54 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 47 times: bars 1, 3, 4, 5, 6, 7 and 41 more.