116 bars of 4/4 at 120 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-39, 65-72 and 105-111 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 21 times: bars 2, 3, 4, 11, 12, 16 and 15 more.
11 more fills are written out on the fills page.
116 bars across 17 sections: 66 keep time, 21 are fills, 7 are stops and 6 are silent. The longest unbroken stretch of time is bars 32-39.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
97 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 54 out of 100; the rest of the number is everything around it.
116 bars, about 3:52 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 21 times: bars 2, 3, 4, 11, 12, 16 and 15 more.