138 bars of 4/4 at 115 BPM, about 4:47 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-16, 21 and 23, and 5 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 37 times: bars 1, 2, 3, 4, 8, 20 and 31 more.
13 more fills are written out on the fills page.
138 bars across 16 sections: 75 keep time, 37 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 126-138.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
138 bars, about 4:47 at the written tempo. The course breaks it into 61 exercises over 22 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 37 times: bars 1, 2, 3, 4, 8, 20 and 31 more.