128 bars of 4/4 at 120 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-5, 15-19 and 45-46, and 7 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 6, 14, 20, 28, 30, 31 and 8 more.
1 more fill is written out on the fills page.
128 bars across 9 sections: 97 keep time, 14 are fills and 3 are stops. The longest unbroken stretch of time is bars 86-107.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 71 out of 100; the rest of the number is everything around it.
128 bars, about 4:08 at the written tempo. The course breaks it into 33 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 6, 14, 20, 28, 30, 31 and 8 more.