161 bars of 4/4 at 120 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-24, 27-31 and 45-48, and 3 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 30 times: bars 12, 20, 25, 26, 32, 36 and 24 more.
5 more fills are written out on the fills page.
161 bars across 15 sections: 108 keep time, 30 are fills and 9 are stops. The longest unbroken stretch of time is bars 122-155.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
161 bars, about 5:22 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 30 times: bars 12, 20, 25, 26, 32, 36 and 24 more.