96 bars of 4/4 at 116 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 12 and 16-20, and 9 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 19 times: bars 13, 28, 33, 34, 38, 40 and 13 more.
2 more fills are written out on the fills page.
96 bars across 9 sections: 56 keep time, 21 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 14-27.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
96 bars, about 3:14 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 19 times: bars 13, 28, 33, 34, 38, 40 and 13 more.