244 bars at 220 BPM -- fast, and 4:01 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
98 out of 100. Hard, and what makes it hard is how many notes a second it asks for.
snare through bar 1, ride through bars 2-8, toms through bars 9-10, ride through bars 11-17, toms through bars 18-19 and hi-hat through bars 20-35, and 30 more changes after that.
The beat the song is built on is one bar, played through bars 21-25, 28-30 and 32-33, and 11 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |-g-g-g-g-g-g-g-g|
BD |x-x-x-x-x-x-x-x-|35 fills to learn, played 76 times: bars 9, 10, 11, 18, 19, 26 and 70 more.
It cuts the song into 84 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
98 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 91 out of 100; the rest of the number is everything around it.
244 bars, about 4:01 at the written tempo. The course breaks it into 84 exercises over 28 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
35 fills to learn, played 76 times: bars 9, 10, 11, 18, 19, 26 and 70 more.