71 bars of 4/4 at 130 BPM, about 2:08 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 16, 27 and 29, and 6 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 32 times: bars 1, 2, 3, 4, 7, 8 and 26 more.
9 more fills are written out on the fills page.
71 bars across 7 sections: 30 keep time, 32 are fills and 1 is a stop. The longest unbroken stretch of time is bars 68-71.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
92 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 91 out of 100; the rest of the number is everything around it.
71 bars, about 2:08 at the written tempo. The course breaks it into 35 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 32 times: bars 1, 2, 3, 4, 7, 8 and 26 more.