56 bars of 6/4 -- not four -- at 100 BPM, 2:58 of playing on crash, ride, hi-hat, snare, floor tom and kick.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-4, silence through bars 5-13, ride through bars 14-51 and kick and crashes through bars 52-56.
The beat the song is built on is a 2-bar phrase, played through bars 36-38, 40-42 and 44-46, and 1 more place -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
36 37
1e+a2e+a3e+a4e+a5e+a6e+a 1e+a2e+a3e+a4e+a5e+a6e+a
CC |x-----x-----------x-----|x-----x-----x-----x-----|
HH |--------------o---------|------------------------|
SD |------x---x-------x-----|------x---x-------x-----|
FT |--------------------x-x-|------------------------|
BD |x---x---x---x---x---x-x-|x---x---x---x---x---x-x-|3 fills to learn, played 5 times: bars 24, 37, 39, 49 and 51.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
56 bars, about 2:58 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 24, 37, 39, 49 and 51.