56 bars of 6/4 -- not four -- at 100 BPM, 2:58 of playing on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 36-38, 40-42 and 44-46, and 1 more place -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 5 times: bars 24, 37, 39, 49 and 51.
99 bars across 8 sections: 39 keep time, 6 are fills, 2 are stops and 45 are silent. The longest unbroken stretch of time is bars 40-48.
100 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
56 bars, about 2:58 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 24, 37, 39, 49 and 51.