82 bars of 4/4 at 120 BPM, about 2:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 11 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 25 times: bars 18, 19, 20, 23, 24, 26 and 19 more.
9 more fills are written out on the fills page.
82 bars across 13 sections: 40 keep time, 26 are fills and 2 are stops. The longest unbroken stretch of time is bars 1-9.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
82 bars, about 2:44 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 18, 19, 20, 23, 24, 26 and 19 more.