158 bars of 4/4 at 130 BPM, about 4:49 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18, and 32 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 31 times: bars 3, 5, 7, 9, 17, 25 and 25 more.
10 more fills are written out on the fills page.
158 bars across 11 sections: 114 keep time, 32 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 88-97.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
158 bars, about 4:49 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 31 times: bars 3, 5, 7, 9, 17, 25 and 25 more.