113 bars of 4/4 at 132 BPM, about 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 54-56, 58-61 and 66-68, and 1 more place -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 1, 2, 6, 13, 14, 15 and 21 more.
10 more fills are written out on the fills page.
113 bars across 14 sections: 71 keep time, 27 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 87-97.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
89 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
113 bars, about 3:12 at the written tempo. The course breaks it into 54 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 1, 2, 6, 13, 14, 15 and 21 more.