153 bars of 3/4 -- not four -- at 122 BPM, 3:56 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-29, 34 and 51, and 4 more places -- 7.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 20, 36, 56, 67, 89, 90 and 3 more.
3 more fills are written out on the fills page.
153 bars across 20 sections: 77 keep time, 9 are fills, 26 are stops and 31 are silent. The longest unbroken stretch of time is bars 92-102.
122 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
153 bars, about 3:56 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 20, 36, 56, 67, 89, 90 and 3 more.