209 bars of 4/4 at a walking 88 BPM, 9:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 2-9, hi-hat through bars 10-25, ride through bars 26-27, toms through bars 28-31, snare through bars 32-35 and ride through bars 36-50, and 19 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 10-16, 18-24 and 72-74, and 1 more place -- 11.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 13
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|o-o-o-o-o-o-o---|
SD |----x-------x---|----x-------x-xx|
BD |x------xx-x---x-|x------xx-x-----|19 fills to learn, played 64 times: bars 9, 13, 17, 25, 26, 27 and 58 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
209 bars, about 9:28 at the written tempo. The course breaks it into 68 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 64 times: bars 9, 13, 17, 25, 26, 27 and 58 more.