The beat the song is built on is one bar, played through bars 49-102, 105-106 and 113-118, and 9 more places -- 54.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
It is played on hi-hat and snare, counted in sixteenth notes. On its own it scores 4 out of 100 -- straightforward -- and the thing that decides that is how often it moves around the kit.
The whole song is 59 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 150 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 150, 175 and 200 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on hi-hat and snare, in 3/4 at 200 BPM, counted in sixteenth notes. It is written out above, and it covers 54.5% of the bars the kit plays.
Bars 49-102, 105-106, 113-118 and 121-122, and 8 more places. The time is kept on the hi-hat to start with, and it changes 25 times over the song.
4 out of 100 on its own -- straightforward. The song as a whole is 59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.