264 bars of 3/4 -- not four -- at 200 BPM, 3:58 of playing on crash, ride, hi-hat, snare and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-24, ride through bars 25-48, hi-hat through bars 49-102, ride through bars 103-104, hi-hat through bars 105-106 and ride through bars 107-112, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 49-102, 105-106 and 113-118, and 9 more places -- 54.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
50
1e+a2e+a3e+a
HH |o-----o-----|
SD |x-----------|3 fills to learn, played 15 times: bars 47, 48, 104, 112, 120, 128 and 9 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 4 out of 100; the rest of the number is everything around it.
264 bars, about 3:58 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 15 times: bars 47, 48, 104, 112, 120, 128 and 9 more.