127 bars of 4/4 at 140 BPM, about 3:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 60-65, 67-74 and 86-92, and 1 more place -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 15 times: bars 3, 5, 14, 30, 42, 50 and 9 more.
1 more fill is written out on the fills page.
134 bars across 20 sections: 74 keep time, 15 are fills, 9 are stops and 19 are silent. The longest unbroken stretch of time is bars 67-75.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
127 bars, about 3:35 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 3, 5, 14, 30, 42, 50 and 9 more.