89 bars of 4/4 at 120 BPM, about 2:59 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-15 and 27-31, and 1 more place -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 18 times: bars 4, 16, 20, 22, 24, 32 and 12 more.
7 more fills are written out on the fills page.
89 bars across 10 sections: 55 keep time, 18 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 5-15.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
89 bars, about 2:59 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 4, 16, 20, 22, 24, 32 and 12 more.