187 bars of 4/4 at 130 BPM, about 5:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 52-53, 56-57 and 64-65, and 4 more places -- 7.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 39 times: bars 2, 7, 32, 45, 48, 49 and 33 more.
19 more fills are written out on the fills page.
187 bars across 20 sections: 107 keep time, 39 are fills, 15 are stops and 3 are silent. The longest unbroken stretch of time is bars 122-142.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 63 out of 100; the rest of the number is everything around it.
187 bars, about 5:18 at the written tempo. The course breaks it into 74 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 39 times: bars 2, 7, 32, 45, 48, 49 and 33 more.