42 bars of 4/4 at 131 BPM, about 1:10 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 11-13 and 34-36 -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 24 times: bars 2, 3, 4, 8, 14, 15 and 18 more.
5 more fills are written out on the fills page.
47 bars: 16 keep time, 24 are fills and 7 are stops. The longest unbroken stretch of time is bars 38-43.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
42 bars, about 1:10 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 24 times: bars 2, 3, 4, 8, 14, 15 and 18 more.