116 bars of 4/4 at 123 BPM, about 3:46 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 28 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 4, 20, 36, 52, 64, 80 and 1 more.
116 bars across 11 sections: 90 keep time, 7 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 92-115.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
116 bars, about 3:46 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 4, 20, 36, 52, 64, 80 and 1 more.