177 bars of 4/4 at a walking 82 BPM, 8:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-43 and 45-53 -- 9.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 28 times: bars 44, 54, 58, 59, 68, 78 and 22 more.
12 more fills are written out on the fills page.
177 bars across 22 sections: 115 keep time, 28 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 104-119.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
177 bars, about 8:53 at the written tempo. The course breaks it into 72 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 28 times: bars 44, 54, 58, 59, 68, 78 and 22 more.