95 bars of 4/4 at 127 BPM, about 3:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 21-23, and 4 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 8, 38, 65, 70, 72, 74 and 2 more.
1 more fill is written out on the fills page.
95 bars across 13 sections: 62 keep time, 8 are fills and 7 are stops. The longest unbroken stretch of time is bars 42-49.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
95 bars, about 3:00 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 8, 38, 65, 70, 72, 74 and 2 more.