166 bars of 4/4 at a walking 100 BPM, 6:43 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-17, ride through bars 18-40, silence through bars 41-43, ride through bars 44-69, silence through bars 70-73 and snare through bars 74-86, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 74-79, 81-86 and 120-126, and 2 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
74
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |x---x---x---x---|
BD |--x---x---x---x-|7 fills to learn, played 17 times: bars 17, 19, 21, 23, 25, 43 and 11 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
166 bars, about 6:43 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 28 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 17, 19, 21, 23, 25, 43 and 11 more.