166 bars of 4/4 at a walking 100 BPM, 6:43 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 74-79, 81-86 and 120-126, and 2 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 17, 19, 21, 23, 25, 43 and 11 more.
3 more fills are written out on the fills page.
166 bars across 14 sections: 115 keep time, 17 are fills, 1 is a stop and 21 are silent. The longest unbroken stretch of time is bars 93-109.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
166 bars, about 6:43 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 28 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 17, 19, 21, 23, 25, 43 and 11 more.