131 bars of 4/4 at 120 BPM, about 4:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 44 and 46, and 3 more places -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 44 times: bars 1, 2, 3, 4, 12, 20 and 38 more.
17 more fills are written out on the fills page.
133 bars across 17 sections: 65 keep time, 44 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 125-133.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 53 out of 100; the rest of the number is everything around it.
131 bars, about 4:20 at the written tempo. The course breaks it into 73 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 44 times: bars 1, 2, 3, 4, 12, 20 and 38 more.