120 bars of 4/4 at 120 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-11 and 13-15, and 1 more place -- 10.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 17 times: bars 1, 2, 3, 4, 35, 36 and 11 more.
4 more fills are written out on the fills page.
120 bars across 15 sections: 79 keep time, 17 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 87-102.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 92 out of 100; the rest of the number is everything around it.
120 bars, about 4:04 at the written tempo. The course breaks it into 57 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 1, 2, 3, 4, 35, 36 and 11 more.