107 bars of 4/4 at 130 BPM, about 3:18 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-11 and 13-15, and 8 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 16 times: bars 8, 12, 16, 20, 22, 25 and 10 more.
10 more fills are written out on the fills page.
107 bars across 12 sections: 70 keep time, 16 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 52-59.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
107 bars, about 3:18 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 16 times: bars 8, 12, 16, 20, 22, 25 and 10 more.