143 bars of 4/4 at 120 BPM, about 4:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 42-44, and 4 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 38 times: bars 8, 12, 16, 22, 23, 24 and 32 more.
12 more fills are written out on the fills page.
143 bars across 22 sections: 79 keep time, 39 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 84-91.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
143 bars, about 4:44 at the written tempo. The course breaks it into 65 exercises over 18 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 38 times: bars 8, 12, 16, 22, 23, 24 and 32 more.