228 bars of 4/4 at 128 BPM, about 6:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, hi-hat through bars 8-103, toms through bars 104-105, silence through bars 106-108, kick and crashes through bars 109-132 and hi-hat through bars 133-180, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 3 more places -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e
HH |-x------x-x-x-|
SD |-x------x-x-x-|
BD |----x---------|17 fills to learn, played 45 times: bars 24, 40, 48, 55, 56, 64 and 39 more.
It cuts the song into 71 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
228 bars, about 6:16 at the written tempo. The course breaks it into 71 exercises over 27 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 45 times: bars 24, 40, 48, 55, 56, 64 and 39 more.