228 bars of 4/4 at 128 BPM, about 6:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 3 more places -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 45 times: bars 24, 40, 48, 55, 56, 64 and 39 more.
13 more fills are written out on the fills page.
228 bars across 16 sections: 145 keep time, 45 are fills, 7 are stops and 10 are silent. The longest unbroken stretch of time is bars 110-142.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
228 bars, about 6:16 at the written tempo. The course breaks it into 71 exercises over 27 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 45 times: bars 24, 40, 48, 55, 56, 64 and 39 more.