210 bars of 4/4 at 112 BPM, about 7:30 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-33, 37-41 and 45, and 8 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 52 times: bars 19, 23, 27, 50, 51, 70 and 46 more.
20 more fills are written out on the fills page.
210 bars across 27 sections: 110 keep time, 52 are fills, 16 are stops and 19 are silent. The longest unbroken stretch of time is bars 52-63.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 12 out of 100; the rest of the number is everything around it.
210 bars, about 7:30 at the written tempo. The course breaks it into 69 exercises over 17 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 52 times: bars 19, 23, 27, 50, 51, 70 and 46 more.