94 bars of 4/4 at 130 BPM, about 2:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 70-76 and 78-84 -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 19 times: bars 1, 5, 17, 21, 29, 37 and 13 more.
8 more fills are written out on the fills page.
94 bars across 8 sections: 61 keep time, 20 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 6-16.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
94 bars, about 2:54 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 19 times: bars 1, 5, 17, 21, 29, 37 and 13 more.