97 bars at 170 BPM -- fast, and 2:17 of it without a break -- on crash, hi-hat, snare and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-5, hi-hat through bars 6-13, snare through bars 14-37, hi-hat through bars 38-39, snare through bars 40-45 and hi-hat through bars 46-62, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 14-29, 39 and 47 -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 15
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |--------x-------|--------x-------|
BD |x-x-----x-x-----|x-x-----xxxxxxxx|4 fills to learn, played 9 times: bars 55, 59, 63, 70, 71, 75 and 3 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
97 bars, about 2:17 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 9 times: bars 55, 59, 63, 70, 71, 75 and 3 more.