97 bars at 170 BPM -- fast, and 2:17 of it without a break -- on crash, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 14-29, 39 and 47 -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 55, 59, 63, 70, 71, 75 and 3 more.
97 bars across 10 sections: 69 keep time, 9 are fills, 9 are stops and 2 are silent. The longest unbroken stretch of time is bars 15-29.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
97 bars, about 2:17 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 9 times: bars 55, 59, 63, 70, 71, 75 and 3 more.