92 bars of 6/4 -- not four -- at 140 BPM, 3:57 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41, 45 and 47, and 2 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 11 times: bars 9, 11, 22, 24, 26, 30 and 5 more.
2 more fills are written out on the fills page.
92 bars across 8 sections: 34 keep time, 11 are fills, 3 are stops and 37 are silent. The longest unbroken stretch of time is bars 49-55.
140 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
92 bars, about 3:57 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 9, 11, 22, 24, 26, 30 and 5 more.