152 bars of 4/4 at 138 BPM, about 4:22 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 50-63, 65-75 and 77-78 -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 18 times: bars 4, 5, 28, 36, 64, 79 and 12 more.
2 more fills are written out on the fills page.
152 bars across 15 sections: 107 keep time, 19 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 83-100.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
152 bars, about 4:22 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 18 times: bars 4, 5, 28, 36, 64, 79 and 12 more.