130 bars of 4/4 at 146 BPM, about 3:29 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-33, 36-42 and 48-54, and 4 more places -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 19 times: bars 26, 34, 35, 43, 44, 55 and 13 more.
7 more fills are written out on the fills page.
130 bars across 12 sections: 67 keep time, 19 are fills, 12 are stops and 23 are silent. The longest unbroken stretch of time is bars 103-109.
146 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
130 bars, about 3:29 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 26, 34, 35, 43, 44, 55 and 13 more.