170 bars of 4/4 at 138 BPM, about 4:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-9, 14-16 and 18-20, and 5 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 13, 17, 21, 25, 41, 45 and 21 more.
8 more fills are written out on the fills page.
170 bars across 21 sections: 111 keep time, 27 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 59-67.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
92 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 74 out of 100; the rest of the number is everything around it.
170 bars, about 4:39 at the written tempo. The course breaks it into 57 exercises over 22 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 13, 17, 21, 25, 41, 45 and 21 more.